The drawing brought the original element of the water storm back into the upper tower room, where the boiler used to be. The 30 meter long and 1 meter high screen that stretched around the room confronted the audience with the theme of war. The center of the room became an imaginary watering hole around which the protagonists of the drawing gathered. The protagonists were taken from photos in the press and from family albums from the First and Second World Wars. Water is a necessity for all life, but it is also a border that divides us and a reason for war. The expansive drawing is about pausing in extreme situations.
The visitors to the boiler room stood in the middle of the picture – and thus in no man’s land, “between the fronts”.
